This poster was a collaborative design for Liveworm, created as promotional material for students commencing the Bachelor of Design Futures degree. It was created by projecting designs onto a face, then editing the photographs digitally.
Photograph by Lynette Letic
But You Can’t Wish For A Thousand Wishes was a collaboration between Brisbane collective Nuclear Family and artist Mark Kleine at the Brisbane Emerging Arts Festival in 2013.
The shrine explored our feelings of disconnection with a higher power and looked at the religions and higher beings that we build for ourselves.
This was an interactive work which encouraged the audience to present an offering to the shrine. The audience was also prompted to respond to cards asking “who do you pray to?” and “what do you wish for?”
Photographs by Lynette Letic
This signage was created to support an exhibition being held at the Griffith University Art Gallery. In order to align with the theme of the show the title was abstracted by reflecting the letterforms. During the installation of the the vinyl lettering, changes in layout were required. This project taught flexibility, how to adapt to change, and how to problem solve quickly.
Milaana is a social enterprise connecting students with internships that increase their job readiness and engagement within the community.
The brief called for a fresh design that was relevant to both the students applying for internships and to the organisations posting them while still emphasising the company’s key theme of connection.
In the logo, two A’s are manipulated to create two arrows meeting in the middle to communicate connectedness. This arrangement then creates the form of an M.
This was a group project created for Liveworm Design Studio with Hannah Headrick, Joel Matheson, Irena Gover.
Find more on Milaana at www.milaana.org.
A concept created for Liveworm Design Studio to rebrand The Queensland Compound Library to Compounds Australia. Compounds Australia is a compound management facility whose mission is “to synergise interactions between Australasian chemists, biomedical researchers and their international colleagues”.
The shape of the logo is derived from the skeletal formulas of compounds. Inlayed in the hexagonal shape are circles inspired by a birds eye view of the micro-tubes used to house compounds. These circles are layered to reflect cells dividing, and the colors are derivative of the compounds themselves.
LiveSpace is a professional interior design studio within the Queensland College of Art. It provides students with the opportunity to work on real world projects while under the supervision of experienced professionals.
Chester’s Real Estate is a family owned real estate firm in Brisbane. The firm were repositioning their business to focus on commercial real estate, and as such their previous logo was no longer relevant. The client wanted a sleek, professional outcome to reinforce their brand.
These logo concepts were created for Liveworm Design Studio.
The challenge of this brief was to create a design that connected three different exhibitions together into one coherent document. This was achieved by creating hand drawn titles which incorporated images from each show. The layout is clean and simple to highlight the content without overpowering it.
The full document can be viewed at http://www.griffith.edu.au/visual-creative-arts/queensland-college-art/qca-publications/crane-arts-march-2014
